{"id":4410200,"date":"2024-09-01T08:56:52","date_gmt":"2024-09-01T06:56:52","guid":{"rendered":"https:\/\/teszt.urbanmuveszet.hu\/?p=4410200"},"modified":"2025-11-03T12:22:26","modified_gmt":"2025-11-03T11:22:26","slug":"nikon-laci-a-hazai-filmipar-graffiti-firkasza","status":"publish","type":"post","link":"https:\/\/urbanmuveszet.hu\/en\/nikon-laci-a-hazai-filmipar-graffiti-firkasza\/","title":{"rendered":"Laci Nikon is the graffiti artist of the Hungarian film industry"},"content":{"rendered":"

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Nikon Laci <\/a><\/span>a 80-as \u00e9vek New York-i \u201caranykorszak\u201d st\u00edlusait, utcak\u00e9p\u00e9t kelti \u00e9letre a Netflix Eric c\u00edm\u0171 sorozat\u00e1ban. Munk\u00e1j\u00e1t el\u00e9g sok filmes vil\u00e1gban l\u00e1thatjuk m\u00e9g, ahol megjelenik t\u00f6bb graffiti, illetve t\u00f6bb sz\u00e1z k\u00fcl\u00f6nf\u00e9le utcai firka.\u00a0<\/h3>\n

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Mes\u00e9lj a filmes karriered indul\u00e1s\u00e1r\u00f3l<\/h3>\n

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Az els\u0151 kamera el\u0151tti munk\u00e1mat 1998-ban vagy 1999-ben kaptam. Akkoriban m\u00e1r igyekeztem akt\u00edvan graffitizni \u00e9s m\u00e9g n\u00e9ha egy\u00fctt festett\u00fcnk egy r\u00e9gi kedves bar\u00e1tommal \u00e9s kor\u00e1bbi OMC-s csoportt\u00e1rsammal Clor Lacival. Clor akkori bar\u00e1tn\u0151j\u00e9nek apuk\u00e1ja vagy filmst\u00fadi\u00f3 tulajdonos vagy valamelyik filmgy\u00e1rt\u00f3 c\u00e9g tulajdonosa volt, de az biztos hogy valaki fontos ember volt a filmes vil\u00e1gban. \u00cdgy azt\u00e1n amikor arr\u00f3l volt sz\u00f3 hogy graffiti m\u0171v\u00e9szt keresnek az egyik k\u00fclf\u00f6ldi rekl\u00e1mhoz, a bar\u00e1tn\u0151j\u00e9n kereszt\u00fcl r\u00f6gt\u00f6n Clor Lacihoz jutottak el.<\/p>\n

A tervez\u0151 sokf\u00e9le graffitis h\u00e1tteret \u00e1lmodott meg legink\u00e1bb a h\u00edres jap\u00e1n manga vagy anime st\u00edlusban. Clor nem tudott \u00e9s nem is akart karaktereket festeni \u00e9n azonban mindkett\u0151nek birtok\u00e1ban voltam, tudtam is ilyet \u00e9s akartam is. Fun fact, hogy az eml\u00edtett k\u00f6z\u00f6s fiatalkori graffitis csapatunk neve a ma m\u00e1r el\u00e9g b\u00e9n\u00e1n hangz\u00f3 OMC azaz Original Manga Crew volt – tekintve hogy nagyon szerett\u00fck a manga st\u00edlust \u00e9s egy\u00e9bk\u00e9nt a 90-es \u00e9vek k\u00f6zep\u00e9n ez \u00e9ppen nagyon ment. Ezzel a csek\u00e9ly tud\u00e1ssal \u00e9s lelkesed\u00e9ssel v\u00e1gtam neki a munk\u00e1nak ami egy\u00e9bk\u00e9nt az Orange mobilh\u00e1l\u00f3zat\u00e1nak izraeli rekl\u00e1mja volt.<\/p>\n

A munk\u00e1t Kov\u00e1cs P\u00e9tert\u0151l kaptam akinek \u00f6r\u00f6kk\u00e9 h\u00e1l\u00e1s leszek ez\u00e9rt. K\u00e9s\u0151bb egy\u00e9bk\u00e9nt m\u00e9g sokszor dolgoztam P\u00e9terrel \u00e9s a BK-val. A munk\u00e1t 2-3 napig csin\u00e1ltam. Ez volt az els\u0151 munka amit b\u00e1rmif\u00e9le mozg\u00f3k\u00e9pgy\u00e1rt\u00e1snak k\u00e9sz\u00edtettem \u00e9s ez automatikusan vonzotta maga ut\u00e1n a t\u00f6bb, k\u00f6vetkez\u0151 munk\u00e1t. A megrendel\u0151 szereti ha a kivitelez\u0151 megb\u00edzhat\u00f3, j\u00f3l dolgozik \u00e9s ha m\u00e1r bev\u00e1lt akkor sz\u00e1m\u00edthatnak is r\u00e1 \u00e9s mivel r\u00e1m mindegyik igaz volt, \u00edgy maradtam benne az akkori k\u00f6rforg\u00e1sban.<\/p>\n

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Mi\u00f3ta dolgozol a filmiparban?<\/h3>\n

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A 90-es \u00e9vek v\u00e9gi Orange rekl\u00e1m ut\u00e1n folyamatosan dolgoztam id\u0151r\u0151l-id\u0151re rekl\u00e1moknak, filmeknek. Dolgoztam egy\u00fctt Miklauzic Bence rendez\u0151vel, ekkor ismerkedt\u00fcnk meg Pindroch Csab\u00e1val \u00e9s egy v\u00e9letlennek k\u00f6sz\u00f6nhet\u0151en statiszt\u00e1ltam egy\u00fctt J\u00e1vor P\u00e1l d\u00e9dunok\u00e1j\u00e1val J\u00e1vor Benc\u00e9vel aki egy\u00e9bk\u00e9nt val\u00f3sz\u00edn\u0171leg nem eml\u00e9kszik m\u00e1r r\u00e1m.<\/p>\n

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Az els\u0151 Hollywood-i produkci\u00f3 amiben dolgoztam az – egy\u00e9bk\u00e9nt az etyeki Korda st\u00fadi\u00f3ban forgatott – Hellboy 2 volt. Itt meg kell jegyeznem hogy ebben a munk\u00e1ban seg\u00edts\u00e9gemre voltak egykori firk\u00e1sz bar\u00e1taim is, Band \u00e9s Crape is. Legjobb tudom\u00e1som szerint ez volt az els\u0151 nagy produkci\u00f3 a Kord\u00e1ban \u00e9s ekkor indult be igaz\u00e1n a Magyarorsz\u00e1gon forg\u00f3 amerikai filmek gy\u00e1rt\u00e1sa.<\/p>\n<\/blockquote>\n

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Utc\u00e1r\u00f3l a filmes st\u00fadi\u00f3kba<\/h3>\n

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Az els\u0151 filmes munk\u00e1t nem egy \u00faj korszaknak hanem egy \u00fajabb munk\u00e1nak fogtam fel. A filmforgat\u00e1sok vil\u00e1g\u00e1ban dolgoz\u00f3kkal kapcsolatban felt\u00e9tlen\u00fcl meg kell eml\u00edtenem hogy egy\u00e9bk\u00e9nt \u00e9n csup\u00e1n egy porszem vagyok a g\u00e9pezetben \u00e9s – itt f\u0151leg a hazai filmgy\u00e1rt\u00e1s szakembereire gondolok – szinte mindenki sokkal fontosabb \u00e9s nagy szaktud\u00e1st ig\u00e9nyl\u0151 feladatot l\u00e1t el. Ezek a szakemberek \u00a0nagyon sok mindenhez kiv\u00e1l\u00f3an \u00e9rtenek, azonban egy-egy olyan feladatra amiben kev\u00e9sb\u00e9 mozognak otthonosan, szoktak az adott ter\u00fclethez jobban hozz\u00e1\u00e9rt\u0151t felkeresni hogy az eredm\u00e9ny a lehet\u0151 legjobb legyen.<\/p>\n

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\u00c9n a graffiti fest\u00e9shez \u00e9s ennek a kultur\u00e1lis k\u00f6rnyezetnek a megjelen\u00edt\u00e9s\u00e9hez \u00e9rtek, illetve ismerem ezt a vil\u00e1got, \u00edgy mivel el\u00e9g sok produkci\u00f3 olyan \u201cvil\u00e1gban\u201d j\u00e1tsz\u00f3dik ahol megjelenik graffiti, \u00edgy ker\u00fcltem \u00e9s maradtam is benne a filmes k\u00f6rforg\u00e1sban. Lassan \u00e9s fokozatosan \u00e9p\u00fclt fel minden.<\/p>\n<\/blockquote>\n

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\ud83c\udfac\u00a0 Atomic Blonde<\/em> c\u00edm\u0171 film jelenet<\/h6>\n

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\ud83c\udfac\u00a0 Atomic Blonde<\/em> c\u00edm\u0171 film jelenet<\/h6>\n

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\ud83c\udfac\u00a0 Blade Runner 2049<\/em> c\u00edm\u0171 film jelenet<\/h6>\n

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\ud83c\udfac\u00a0 The Continental: John Wick vil\u00e1g\u00e1b\u00f3l<\/em> c\u00edm\u0171 sorozat jelenetek<\/h6>\n

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\ud83c\udfac\u00a0 Borderlands<\/em> c\u00edm\u0171 film jelenet<\/h6>\n

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Milyen volt akt\u00edv alkot\u00f3k\u00e9nt r\u00e9szt venni a Netflix Eric <\/i>c\u00edm\u0171 minisorozat\u00e1ban?<\/h3>\n

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Viszonylag sok produkci\u00f3ban dolgoztam m\u00e1r \u00edgy nem \u00e9reztem k\u00fcl\u00f6nbs\u00e9get, ez is csak ugyanolyan munk\u00e1nak indult mint az \u00f6sszes t\u00f6bbi film.\u00a0Azonban annyib\u00f3l volt m\u00e9gis picit m\u00e1sabb mint a t\u00f6bbi produkci\u00f3 hogy j\u00f3val bar\u00e1tibb volt a hangulat \u00edgy m\u00e9g rugalmasabb volt az egy\u00fcttm\u0171k\u00f6d\u00e9s. Kedves \u00e9s r\u00e9gi bar\u00e1tom V\u00e1ndor M\u00e1ty\u00e1s volt a gy\u00e1rt\u00e1svezet\u0151 aki megh\u00edvott erre a munk\u00e1ra, de fontos hogy nem csak bar\u00e1ti hanem szakmai \u00e9s bizalmi alapon.<\/p>\n

Szint\u00e9n kedves ismer\u0151s\u00f6mnek, Nemes Zo\u00e9nak k\u00f6sz\u00f6nhetem a megh\u00edv\u00e1st hogy a Costume r\u00e9szlegnek is tudtam seg\u00edteni a magam m\u00f3dj\u00e1n azzal hogy p\u00f3l\u00f3mint\u00e1kat terveztem a produkci\u00f3nak, teh\u00e1t az Eric-ben a graffitik mellett egy\u00e9bk\u00e9nt sz\u00e1mos \u00e1ltalam tervezett p\u00f3l\u00f3mint\u00e1val is tal\u00e1lkozhat a n\u00e9z\u0151.<\/p>\n

Visszat\u00e9rve a csapatra, ezek egy\u00fcttesen sokkal k\u00f6zelebb hozt\u00e1k a munk\u00e1t lelkiekben mint m\u00e1s, am\u00fagy hasonl\u00f3 munk\u00e1kkal szokott lenni. A hangulat sz\u00e1momra is \u00e9s ahogy hallottam m\u00e1sok sz\u00e1m\u00e1ra is j\u00f3val bar\u00e1tibbnak maradt meg. Igaz\u00e1n nagyon j\u00f3 volt egy\u00fctt dolgozni.<\/p>\n

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Kikkel dolgozt\u00e1l egy\u00fctt?<\/h3>\n

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Mivel \u00e9n egyed\u00fcl dolgozom, nem voltak az \u00e9n munk\u00e1mhoz szorosan kapcsol\u00f3d\u00f3 munkat\u00e1rsaim. Az igazs\u00e1g az hogy a st\u00e1b kreat\u00edv r\u00e9szleg\u00e9nek csup\u00e1n egy r\u00e9sz\u00e9vel tal\u00e1lkoztam, \u0151 vel\u00fck is csak id\u0151nk\u00e9nt. \u00c9n kint dolgoztam a setben mindig, azaz mentem a fel\u00e9p\u00edtett d\u00edszletbe amelyek \u00e1ltal\u00e1ban mindig m\u00e1s-m\u00e1s helysz\u00edneken voltak. A graffitis munk\u00e1mban a l\u00e1tv\u00e1nytervez\u0151 Alex Holmes \u00e9s Peter Findley voltak a feletteseim azonban ez nem valami f\u0151n\u00f6k-alkalmazott viszony, ink\u00e1bb amolyan egy\u00fcttm\u0171k\u00f6d\u0151 k\u00f6z\u00f6s munka.<\/p>\n

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Ugyanis az \u00e9n munk\u00e1mhoz val\u00f3j\u00e1ban csak \u00e9n \u00e9rtek, a legjobb l\u00e1tv\u00e1nytervez\u0151 sem felt\u00e9tlen tud l\u00e9nyeges k\u00fcl\u00f6nbs\u00e9get tenni graffiti \u00e9s graffiti k\u00f6z\u00f6tt, nyilv\u00e1n a styleokat l\u00e1tj\u00e1k \u00e9s \u00e9rtik de annyira nem \u00e9rtenek hozz\u00e1 mint \u00e9n de nem is kell, ez az \u00e9n felel\u0151ss\u00e9gem, el\u00e9g ha \u00e9n tudom a dolgom.<\/p>\n<\/blockquote>\n

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Emellett Toldi Veronik\u00e1val az egyik art directorral is voltak szorosabb egy\u00fcttm\u0171k\u00f6d\u00e9seink de p\u00e9ld\u00e1ul a Forbes-ban is mes\u00e9l\u0151 Kir\u00e1ly Kriszti\u00e1n illusztr\u00e1torral csak a produkci\u00f3 ut\u00e1n, egy p\u00f3tforgat\u00e1son tal\u00e1lkoztunk \u00e9s eml\u00e9keim szerint Guly\u00e1s Luca Pann\u00e1val is tal\u00e1n csup\u00e1n egyszer. Fontos m\u00e9g megeml\u00edtenem M\u00e1t\u00e9-T\u00f3th M\u00e1rton bar\u00e1tomat.<\/p>\n

Marci egy\u00e9bk\u00e9nt egykori firk\u00e1sz t\u00e1rsam, teh\u00e1t \u0151 maga is a graffiti vil\u00e1g\u00e1b\u00f3l \u00e9rkezik, a filmiparban azonban els\u0151rang\u00fa sign-painter azaz c\u00edmfest\u0151, de ebben a produkci\u00f3ban scenic-painterk\u00e9nt, d\u00edszletfest\u0151k\u00e9nt a falak le\u00f6reg\u00edt\u00e9s\u00e9n \u00e9s koszol\u00e1s\u00e1n dolgozott p\u00e1rhuzamosan mellettem. \u00c9n festettem, \u00edrtam \u0151 pedig \u00f6reg\u00edtett r\u00f6gt\u00f6n ut\u00e1nam.<\/p>\n

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Tervez\u00e9si folyamatok<\/h3>\n

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A tervez\u00e9s ebben az esetben is hasonl\u00f3 volt mint pl a Continental eset\u00e9ben. Ott a 70-es \u00e9vek New York-i st\u00edlusait, utcak\u00e9p\u00e9t kellett visszaadnom, itt a 80-as \u00e9vek\u00e9t. El\u0151sz\u00f6r is kital\u00e1ltam \u00e9s \u00f6ssze\u00edrtam t\u00f6bb tucat fikt\u00edv, a val\u00f3dihoz hasonl\u00f3 hangz\u00e1s\u00fa \u00e9s st\u00edlus\u00fa nevet, csapatot \u00e9s minden olyasmi sz\u00f6veget ami megjelenhet ilyenkor. Ezenk\u00edv\u00fcl digit\u00e1lisan megrajzoltam szint\u00e9n t\u00edz-h\u00fasz f\u00e9le kidolgozott st\u00edlust az adott korra \u00e9s helysz\u00ednre jellemz\u0151kkel. Ezek azonban csak a helysz\u00ednek eg\u00e9sz kev\u00e9s r\u00e9sz\u00e9hez elegend\u0151ek, a t\u00f6bbit ezek ut\u00e1n mind a helysz\u00edneken tal\u00e1lom ki.<\/p>\n

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A styleok elhelyez\u00e9s\u00e9t, sz\u00edn\u00e9t, s\u0171r\u0171s\u00e9g\u00e9t mind meghat\u00e1rozza a helysz\u00edn, ez\u00e9rt nagyon pontosan nem is lehet el\u0151re tervezni. A metr\u00f3s jeleneteknek van egy eg\u00e9sz \u00e9rdekes t\u00f6rt\u00e9nete. Amint azt a fot\u00f3imon is l\u00e1tni, az \u00fcres metr\u00f3kocsiban k\u00e9sz\u00fclt fot\u00f3kon j\u00f3val kevesebb tag \u00e9s firka van mint a filmben ami megjelenik, mik\u00f6zben a f\u0151szerepl\u0151 a sz\u00f6rnnyel besz\u00e9lget. Ez az\u00e9rt van \u00edgy mert ez az egy\u00e9bk\u00e9nt \u00e9p\u00edtett – teh\u00e1t nem igazi – egyetlen metr\u00f3kocsink tulajdonk\u00e9ppen kett\u0151 vagy h\u00e1rom metr\u00f3kocsit j\u00e1tszott a filmben.<\/p>\n

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Az els\u0151 jelenethez k\u00e9sz\u00fclt firk\u00e1kr\u00f3l vannak igaz\u00e1n j\u00f3 fot\u00f3im, amikor csak egyed\u00fcl dolgoztam a metr\u00f3n a st\u00fadi\u00f3ban. Amikor m\u00e1r el\u00e9gg\u00e9 \u00e9s k\u00e9s\u0151bb nagyon sz\u00e9t volt \u00edrva a metr\u00f3, ahogyan azt a filmben l\u00e1tni, ekkor m\u00e1r a forgat\u00e1s ment a teljes st\u00e1bbal \u00e9s n\u00e9h\u00e1ny jelenettel k\u00e9s\u0151bb, \u00edgy ezekr\u0151l nem tudtam l\u00e1tv\u00e1nyos fot\u00f3kat l\u0151ni, hiszen a st\u00e1b bent s\u00fcrg\u00f6tt-forgott a kocsiban. Ezeket a jeleneteket \u00e9n is a st\u00e1bnak kitett monitorokr\u00f3l fot\u00f3ztam ki magamnak, k\u00e9s\u0151bb pedig csak a filmben l\u00e1ttam viszont.<\/p>\n

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\n

A h\u00e1rom \u201ck\u00fcl\u00f6nb\u00f6z\u0151\u201d metr\u00f3kocsiban j\u00e1tsz\u00f3d\u00f3 jelenetet egyetlen nap alatt vett\u00e9k fel. A jelenetek k\u00f6z\u00f6tt a kamera \u00e1t\u00e1ll\u00e1s alatt volt 10-15 perc\u00fcnk hogy beszabaduljunk a kocsiba, ahol mind a teljes st\u00e1b teljes felszerel\u00e9ssel mind a sz\u00edn\u00e9szek egy r\u00e9sze, jelen voltak. Ez alatt a 10-15 perc alatt gyorsan le kellett mosnunk a m\u00e1r leforgott tageket, firk\u00e1kat \u00e9s teljesen \u00fajakat kellet \u00edrni m\u00e1s-m\u00e1s helyekre amiket Marci r\u00f6gt\u00f6n \u00f6reg\u00edtett is.<\/p>\n<\/blockquote>\n

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Ek\u00f6zben a set-decorator kicser\u00e9lte a h\u00e1tt\u00e9rben a hirdet\u00e9seket, posztereket stb, \u00edgy gyakorlatilag r\u00f6vid id\u0151 alatt egy m\u00e1sik metr\u00f3kocsit k\u00e9sz\u00edtett\u00fcnk egy k\u00f6vetkez\u0151 jelenethez.<\/p>\n

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Ez el\u00e9gg\u00e9 fesz\u00fclt \u00e9s gyors munk\u00e1t ig\u00e9nyelt, a nap v\u00e9g\u00e9re nagyon elf\u00e1radtunk de j\u00f3 munk\u00e1t v\u00e9gezt\u00fcnk \u00edgy el\u00e9gedetten z\u00e1rhattuk azt a napot is.\u00a0<\/span><\/p>\n

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Laci Nikon brings the styles and street scenes of New York's \"golden age\" of the 1980s to life in the Netflix series Eric. 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